A digital rights group has claimed to have scraped a vast number of tracks from Spotify and is getting ready to release them online.
Industry experts noted the apparent data breach could aid artificial intelligence firms looking for data to develop their technology.
An entity known as Anna’s Archive said it had obtained 86 million music files from the platform and 256 million rows of associated data such as performer and album names. Spotify, which hosts more than 100 million songs, confirmed that the leak did not represent its full catalog.
“We have identified and deactivated the nefarious user accounts that engaged in illegal scraping,” said a Spotify spokesperson.
The Stockholm-based company, which has more than 700 million users worldwide, added that an inquiry into unauthorized access identified a third party scraped public metadata and employed questionable methods to bypass DRM protections.
The streaming service does not believe the audio acquired by Anna’s Archive has been released yet. Anna’s Archive, which is known for offering links to copyright-infringing books, wrote in a blog it wanted to create a ‘historical repository’ for music.
The group claimed the audio files accounted for 99.6% of all music streamed to by its listeners and would be distributed via ‘peer-to-peer networks’, a means of sharing large data files online.
“Of course Spotify doesn’t have all the music in the world, but it’s a great start,” commented Anna’s Archive, which frames its mission as “safeguarding humanity’s information and heritage”.
Ed Newton-Rex for protecting artists’ copyright, remarked the breached music would likely be used for training artificial intelligence systems.
“Training on illegally sourced data is unfortunately widespread in the tech sector, so this stolen music is highly likely to end up instructing AI models,” he said.
The Anna’s Archive site makes references to LibGen, a huge online archive of pirated books that has allegedly been leveraged by the parent company of Facebook to train its systems.
The co-founder of an artificial intelligence company wrote on LinkedIn that individuals of the public could in principle “build their own personal free equivalent of Spotify”. The executive said it could also allow tech companies to “train on contemporary music at a large volume”.
Intellectual property law has become a battleground between artists, authors and creatives on one side and AI companies on the other.
Across Britain, artists and writers have raised concerns against a ministerial suggestion to allow AI companies use protected work without permission unless the owner opts out. Virtually every participant to a government call for evidence on the idea has supported artists’ concerns.
A government minister for science, innovation and technology told parliament this month there was “no clear consensus” on the issue, adding that ministers would “take the time to get this correct”. The government has committed to make regulatory plans on AI and copyright by March 2025.
A cultural analyst and writer passionate about exploring diverse narratives and social dynamics in modern society.
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